#YELLOW SUBMARINE CARTOON MESSAGE PLUS#
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So Brodax began gathering together a team of creative collaborators, including Canadian animator George Dunning, visual effects director Charles Jenkins, The Beatles cartoon vets Jack Stokes and Mike Stuart and several screenwriters, including Latin professor and future Love Story novelist Erich Segal. Just donвЂ™t do another moptop misadventure.

If this fulfilled their contract with the production company, so be it.

#YELLOW SUBMARINE CARTOON MESSAGE SERIES#

This alienated the foursome even more, as theyвЂ™d hated the series (just listen to their animated counterpartsвЂ™ accents!), but at least they didnвЂ™t have to be involved. So Epstein went to Al Brodax, a producer who had been involved with the animated TV adventures of the Beatles, wondering if a feature-length cartoon might do the trick.

#YELLOW SUBMARINE CARTOON MESSAGE PLUS#

Plus they had this new album, a collection of songs that fit together as a loose conceptual statement on nostalgia, which was taking up a lot of their bandwidth. The group had no interest in making another movie, however. Having to make good on a three-picture deal that John, Paul, George and Ringo had with United Artists, their manager Brian Epstein had been looking for one last project to tie up that particular loose business end. 'Silence of the Lambs': The Complete Buffalo Bill StoryД¬hasteness, Soda Pop, and Show Tunes: The Lost Story of the Young Americans and the Choircore Movement ItвЂ™s still a hell of a lot weirder than you remember it being. screens in a new restored version right now.) It doesnвЂ™t matter whether itвЂ™s been decades or merely days since youвЂ™ve seen it last. Meet the Beatles (sort of) that star in Yellow Submarine, the psychedelic caricatures that graced the 1968 animated feature which, 50 years ago today, made itвЂ™s premiere on U.K. Specifically, between themselves and detonating clowns, apple-bonking henchmen, a giant killer glove and your run-of-the-mill Blue Meanies.

No, these Fab Four are currently locked in a battle between good and evil. And they arenвЂ™t bickering in a studio or playing the single most bittersweet rooftop gig ever вЂ“ thatвЂ™s still in the near-future. Nor are they charming Ed Sullivan and the American press corps, or comically falling down together in the snow while locked arm in arm, or walking to the armored car that will take them out of Candlestick Park after their last public performance вЂ“ weвЂ™re way past all of that now. They arenвЂ™t sprinting through a narrow street, laughing and tumbling over one another as theyвЂ™re trailed by what appear to be hundreds of rabid teenyboppers.

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